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Contributors
John Mark Reynolds- Contributor
John
Mark Reynolds is the founder and director of the Torrey
Honors Institute, and Associate Professor of Philosophy,
at Biola University.
Too
Many Matchstick Men
Hollywood
and the Anti-Hero
[John Mark Reynolds] 9/16/03
My oldest
son is a pleasant young man, polite without being Eddie Haskell-ish,
a good student, obedient without slavishness. I
guess he will never amount to much.
Today's culture is not looking for good boys, but for bad boys
who can be redeemed. The new movie Matchstick Men reminds one
that deviant personalities are more interesting to moderns than
normal ones. Do what you should and Hollywood yawns, but become
a con artist with enough foibles to keep a team of exorcists
busy for a year and you get your own movie.
It isn’t
quite fair to pick on the pleasant Matchstick Men,
with Nicolas Cage. As films go this year, it is not that bad.
Cage
is a con artist with a good many odd tics and what used to be
called a heart of gold. He has robbed lots of little old ladies,
but he is still has
his values. All he needs is the love of an estranged daughter
and some pipe puffing advice from an avuncular psychiatrist to
become the good man he has always been inside.
Cage has been here before with Family
Man. This is a longer
and more serious film, and it feels longer and more serious.
If you enjoy watching a man smoking cigarettes from odd camera
angles, then this is the film for you. If you are looking for
a decent role model for yourself or others and have not already
committed several felonies, then this film is unlikely to be
helpful.
Of course, as a traditional Christian I believe in redemption.
Heaven knows I have needed a second chance myself. The future
Rushmore president George W. Bush famously needed a few second
chances to grow up to be president. However, in making the redemptive
point that scars can deepen character, the culture often forgets
that a scar is still a scar. It would be better if it were not
there.
But isn’t the good guy dull? Don’t
those scars produce character? One need not earn hard life
experience by being immoral
or wicked. A life of service and challenge is a better way to
add depth and soul without the regrets of a misspent life. Service
is hard and requires sacrifice. Moderns prefer moral pornography
that pretends a misspent life can be meaningful. It can even
be made meaningful quickly. Almost all the matchstick men end
up in jail for years of their lives, but Hollywood pretends that
most of them are almost painlessly fixed and led to middle class
comfort.
It was not always this way. My children love the old fifties
television show Superman. Superman never lies or does anything
wrong. Ever. The best of these charming shows for children rely
on mystery where Superman must use his brains and not just his
brawn to solve crime.
Of course, adults need more complex story telling that recognizes
the flaws in heroes. The heroes of the traditional story are
such men, flawed but basically sound. Sherlock Holmes was a good
man with some vices. His virtue was dominant and was easy to
spot and he lived a life of duty to justice, like his creator
Sir Arthur Conan Doyle.
Men in the
Middle Ages understood that the adulterous Lancelot missed
the vision
of the Holy Grail. His sin helped destroy Camelot.
Galahad experienced the greatest adventures of all romance and
climaxed a life well spent with the highest honor of knighthood.
Galahad saw the Grail. Moderns love Lancelot and are bored with
Galahad. The musical Camelot seems to wish that everyone
had just lightened up and let sleeping sinners lie. Of course,
it fails to account for the torment that made this solution impossible.
Like the Pythons in Search for the Holy Grail, most of us cannot
really stand Galahad and imagine he was a bit effete. Lancelot
is our hero.
Oddly enough, the older view is more realistic since most of
the men who benefit a community are not matchstick men, but good
men. Abraham Lincoln would not have saved the union if he had
spent half his life being a matchstick man. Mother Theresa saved
thousands, because she brought redemption instead of demanding
it.
Partly, this dislike of good men helps justify our own smaller
sins. We hope that if we never judge, then we will not be judged.
We are patrons of vice, tolerating the moral decadence of pop
singers like Madonna so that our own sins will seem less. The
harm we do our souls, our children, and our culture is ignored.
Rich celebrities appear to get away with single parenting. By
the time the shelled children of these stars grow up to write
tell all memoirs another generation of abandoned kids have filled
the trailer parks of America as young women destroy their lives
emulating their movie role models. Even religious groups will
not punish wrong doers, because repentance and restitution have
been forgotten in a rush to redemption. We continue to sin and
our grace abounds.
In real life, bad men are mostly bad men. Sometimes they are
changed by religion, though in Hollywood it is usually by a good
woman. That may happen, but I have never known anyone to whom
it happened. Bad men are interesting dates, but horrible husbands.
Most women seem to be like Anne of Green Gables' friend Phillippa
-- who did not want a man who actually was bad, but one that
could be.
Bill Clinton proves
that marrying the bad boy is a ticket to marital hell. This
is especially true since most men like Clinton
don’t do nearly as well as Clinton. They lack the skills
to cover up their vice and end up middle aged men selling used
cars in Arkansas while impotently leering at their secretary
and most of their customers. They become that ancient horror, “the
dirty old man.”
Redemption is a good thing, but not needing it is even better.
If one keeps being self-centered and living wickedly, it grows
ever more difficult to contribute positively to the culture.
Personal redemption is possible, but mostly bad men, even if
helped, are a net cultural loss. That is why working with struggling
young men can be beneficial, but an investment in an older man
determined to be wayward is usually a dead loss. There are heroic
souls who help such men and they are real heroes, but the wicked
older men themselves need not be glorified in films, at least
not very many films.
American religion
may have started all of this with an over emphasis on the story
of redemption from gross vice. As a child,
I read scores of “testimony books” which were fascinating
in descriptions of lives badly spent, but became dull when the
person was “saved from sin” and became conventional.
Sometimes these books served as titillation for evangelical children
who otherwise would never have been exposed to such behavior.
Only rarely
did one read a well written book that praised a life well spent,
like Through Gates of Splendor, the story of
the missionary martyr Jim Elliot. More books like this should
be written celebrating lives well lived that are full of service.
Here is a
good rule for life: generally it is good to be good. Socrates
managed to start philosophy without starting life as
a match man. Of course, he also irritated the decadent establishment
and they killed him. A film on Jesus Christ irritates American
popular
culture, partly because it is a film about a good man who did
well by being good. He helped redeem prostitutes; he did not
need to be redeemed by them. Of course, he too was killed by
the leaders of his dying culture.
Matchstick men are users. At the very least, they require huge
amounts of culture resources to fix. Thank God there are some
people who have not become matchstick men available to redeem
us. These are the real heroes with the stories that deserve more
attention than they get. My son is a good boy and I hope he finds
a culture that can appreciate that fact. Maybe someday someone
will make a film about his fine young boyhood.
copyright
2003 John Mark Reynolds
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